Krome & The Freedom of Graffiti
Written by Diego López
Published on October 16th, 2025
The name Krome comes from graffiti’s own language. The artist explains that it comes “from the two types of spray-paint ranges: chromatic and chrome. That’s where Krome came from.” A nickname that reflects both the play with raw materials and the identity he’s built on the wall.
His inspiration doesn’t follow a single line. “Every time it’s something different,” he admits. “Sometimes it’s about wanting to experiment, other times it’s about doing a good collab with someone. But in general, what drives me is simply the pleasure of painting.”
“The freedom it gives me to do what I love without restrictions or conditions from anyone but myself.”
When asked if he considers graffiti a lifestyle, his answer is nuanced: “In part yes and in part no. It’s true that it’s a big part of me and pushes me to do things, but it doesn’t fully define my personality.” What he values most about being a graffiti artist is the creative autonomy: “The freedom it gives me to do what I love without restrictions or conditions from anyone but myself.”
That personal search is also reflected in his methods. Although he usually works with “3D letter pieces,” lately he’s felt the need to branch out: “I’ve been enjoying experimenting with new techniques and even mixing graffiti with other fields that have nothing to do with it.”
Krome’s list of influences has shifted over his long career: “I’ve been doing this for many years, so they’ve changed over time. But lately, honestly, I really like Bond’s style.”
3D has always been a signature in his pieces. “For years I’ve done a lot of 3D graffiti. I really enjoy technical drawing and perspectives, although lately I’m more drawn to experimentation than to super-polished technique.”
Before wrapping up, he sends a clear message to those who feel drawn to this art: “If you like painting, don’t stop. There’s always time and places. If you love it but don’t do it, the only excuse left is laziness.”
Diego López Giménez is the author of books such as “Street Art by Women” (ed. Hoaki) and “Valencia in Graffitis” (ed. Dilatando Mentes)